Tuesday, March 1, 2011

The anti-anti-processed hair movement

Rachel Jessica Daniel
In grad school, my friend Rachel sported a magnificent afro. As each year went by the gravity defying circle atop her head grew at an excitingly alarming rate. She prided herself on her natural nappiness with fervor akin to the black is beautiful movement of the 70s. Because of this I was very surprised when Rachel decided to give up her natural fro and sport a long, sleek weave instead. On her facebook page, she stated that black women should not be defined by their hair. Since reading this statement I have come to ponder over her words and develop my own opinion as to the validity and strength behind her statement. My question to myself, and now to you the readers is: Is defining ourselves by natural hair just as restricting as our predecessors who defined theirs by their ability to make their hair behave?

I myself admit that I am guilty of judging black women who keep their hair in what I term to be the self-oppression mirrored to us by white society. I wonder how these women can perpetuate the notion that our hair must be sleek and shiny in order to fit into Caucasian society. I want these women to caste off the shackles of hair slavery and create new lives for themselves dictated by their own definition of what is beautiful. So when I read Rachel's words, I automatically felt that her new position had let me down. How could someone so dedicated to the cause just give up like that? How could she turn her back on us and call us women who define ourselves by our hair?

But do we, as biracial women, perhaps use our belief in the beauty of natural hair in a way that undermines our more fully black sisters with kinkier manes? Just as people come in all colors, so does hair come in all textures, and those of us who have one parent with straighter, sleeker hair are of course bound to have looser, spirally curls. And many of us biracial women--myself among them--are on the front lines of supporting mixed race marriages which, while natural, is a choice to step outside of the more socially acceptable mores of one's race.

And going one step further, perhaps claiming that only natural hair is beautiful is just as limiting and dangerous to black expression as saying that only weaves or chemical treatments are. After all, my decision to go natural coincided with a decision to adorn myself with a nose ring, painted fingernails, and makeup -- all anti-natural modes of self-representation. Sure, all those things are supposed to enhance natural beauty, but they in and of themselves are not natural. So why is altering one's hair any less socially acceptable?

Hearing my friend Rachel's words hasn't changed the way I want to do my hair, but it has challenged my quick judgments against other women for their own hair choices. Perhaps the freedom to go natural and the freedom to alter comes from the same place: namely, the freedom to make one's own choices. I have to admit that when I do get my wonderful curls ironed straight for a haircut, I'm blown away by how sleek and shiny my own hair looks and I revel in being able to do the things other girls do, like tuck my hair behind my ears or run my fingers through it without it frizzing up. I love my curls too much to straighten them permanently or add a weave, but now I won't beat myself up at getting a blow out every now and then. After all, those with naturally straight hair don't question their race loyalty when they take out the curling iron. Yes, Rachel, our hair does not define us. Our power comes from the knowledge that we can make our own hair choices, and create our own unique looks and be whoever we want to be.

--Shannon Luders-Manuel

Ready...
Set...
Go!

Tuesday, February 15, 2011

From Pullman Porter Grandpa to Conductor Me

Thanks to Teri LaFlesh, author of Curly Like Me, my blog has gotten new followers and a tighter focus, namely, that wonderful thing called biracial hair and the beautiful women who sport it. Soon I will interview Teri, who was kind enough to feature my hair on her blog with a link to mine. Right now, however, I want to simply offer up a bit of firsthand advice based on her haircare system.

Because of Teri, I now braid my hair every night to keep the curls healthy and contained. No more dry combing and ruining my ends with tugs and pulls. On days when I don't go out, I often like to leave the braids in. And, lets face it, sometimes even when I do go out I like to leave them in, instead of running palmfuls of water and rubbing conditioner through my huge mane. This is especially true when my day only consists of picking up a prescription at the drug store or buying a carton of milk.

Since I most often make six braids -- three on each side of my head -- I can't just walk out of the house with my hair as is. No one wants to look like Medusa while they're standing in line at the store. A couple months ago I tried on a "conductor hat", almost as a joke, but realized right away how fabulous it looked on me. That $14 purchase is now one of the smartest I've made. I simply pull the hat over my head and viola!, Not only do I look put together, I look fabulously stylish. An excellent replacement for my ghetto-looking bandannas. (Hey, I'm not knocking the ghetto... I used to live in East Side San Jose!) I recommend such a look to all the biracial ladies out there. Who says we have to be tied down by our hair?


Target doesn't have this particular hat anymore, but here is a similar style:

Target Knit Cap

I know I'm not the first to realize the awesomeness of these hats, but if you're as slow to find fashion as I am, maybe this will help you along.

--Shannon Luders-Manuel

Tuesday, December 7, 2010

Hello, World

I haven't written much lately because I've been working on an anonymous blog, and because I'm suffering from "stage fright" with this one. When I began my online journey, at www.shannonluders.com, I was fresh out of college with a stack of newspaper columns under my belt. A friend had been pressuring me to get a website for years, and I had finally assented, because I finally had something worthwhile to say to the masses. That website is defunct now with no way of updating it due to a stolen computer, so a couple years ago I started this blog, not so much as a way to blog, but as a place to link all my outside articles into one destination. Now that these articles are being published in such professional places, getting my name out there into cyberspace, I'm a bit at odds about what I want this actual blog reel to be. Type my name into google, and you'll find a plethora of pages, and with my hyphenated name, there is only one me. I now face the moment in my professional career where I withhold my last name from people I date until I'm ready for them to have access to my public persona. And as an almost-graduated, now long-distance student who's laying low until the next phase of her career starts, there's really not a whole lot to share.

So until I figure out the next stage, peace out to all my beautiful readers. The future awaits.

--Shannon Luders-Manuel

Thursday, March 11, 2010

Flaunt What You've Got


After two hairstylists turning away my naturally curly hair in Amherst, Massachusetts, I've returned to the West coast and found someone who shapes, snips, and shampoos my hair fearlessly. She and the manager ooh and ahh, asking if they can touch my corkscrew splendor. The stylist gives it fresh layers, which no one had done since I moved to the East coast three years ago, and at the end of the appointment she actually invites me to return.

What is it between East coast and West? It's not a matter of town versus city, for I found my life-changing hairstylist in a little town in Oregon. Maybe it's a West coast celebration of working with what you've got instead of trying to be someone you're not. Or maybe it's just the luck of finding gems in an industry that doesn't learn how to embrace black hair in its natural fashion.

Today was Ty-Over day on Top Model. As always, a number of girls came out of the salon with extensions. I understand the workings of the modeling industry, but as she is a proud black woman, I wish that Tyra could impart a proudness of black hair in all its frizzy glory. Sure, modeling is all about adopting a persona, but maybe if Tyra let the girls be nappy they would be more happy and not tear each other to pieces every cycle in the model house.

March (or late February) also marked the month of Chris Rock's "Good Hair" documentary on DVD. Just as Indian women work in (I assume sweat shop) factories to provide our provocative Victoria's Secret underwear, those same women have their heads shaved in religious ceremonies, and, unbeknownst to them, have that precious hair sold on the "black market" in America. Black women cherish these weaves as if they were cherished poodles. The weaves do just as much for their social status as the pets do to "celebutants" in New York and L.A. But poodles poop, and hair comes off, and what are we left with? The adornment of another creature's precious locks.

There is a biracial model by the name of Gabrielle on this cycle of Top Model, who actually entered the competition with her own hair, and got to keep that same hair after the Tyover. While her hair is dyed, yes, each strand is actually her own. It falls about her face in curly ringlets that are just a little bit out of hand. My cousin calls her look angelic. I call it a breath of fresh air.

--Shannon Luders-Manuel

Thursday, December 24, 2009

East of My Eden



I’m packing up my apartment in preparation for my flight back to what my long time friends affectionately call the “Better coast.” As a writer, I can’t not take this time to reflect on the past two and a half years I spent at an East coast graduate institution. Anyone who follows my blog knows that I live in the liminal space between clear definitions, and now that I have lived in New England, my bi-coastal existence is no exception. People often ask me what the major differences are between the two coasts. After repeatedly wracking my brain, the only thing I can come up with is that the East coast is where our traditional history comes from, and is the landscape upon which children’s books are based. It’s been surreal to me to live in a place that has housed Emily Dickenson, Noah Webster, and many other historical figures that I am too lazy to remember at the moment. L.A. may be the place of movies and reality TV, Manhattan may be the Big Apple, but New England houses our history in the day to day, nitty gritty sense. It’s the birthplace or Mecca of many of our historical politicians, poets, writers, and cultural icons. And when we open Peter Rabbit, Little Women, and (if we include Canada) Anne of Green Gables, the East coast reflects the landscape of such classic stories. When you move to the East coast you learn that the town of Mystic, which brought us Julia Roberts’ debut role, is in fact a real place and that yes, Boston is just as obsessed with the Red Sox as is portrayed, and that L.L. Bean backpacks with embroidered initials--and black North Face fleeces--are worn by everyone and no one thinks it’s funny.
The differences and similarities between the two coasts are not my intended focus of this blog entry, however. Rather, it is what my time in the East coast has given me. Though I have only spent two and a half years here, I am leaving a somewhat different person that the girl who arrived. First of all, at the age of 33 I no longer see myself as a “girl.” This comes mainly from the experience of having taught actual girls (and boys), and of being given the power to give them As or Fs at my discretion. It’s knowing that I have changed lives for the better through helping students realize the liminal spaces in which they live, and to question the standard assumption that everything occurs in black and white. Just as life-changing, the East coast has given me my first ever set of black and biracial friends who will never know just how big of a void they filled. I see myself reflected back through them, in both a literal and metaphorical sense. Not only do we share similar skin tones and similar hair, but I now don’t question myself when I see things through race-conscious eyes and when I get upset about race issues that don’t seem to bother my (though wonderful) white friends and family. Lastly, for those of you who know me well, I am returning to the “Better coast” with the ability to take my life and my relationships to the next level. In numerous ways the East coast has “fixed me,” and for that I am eternally grateful. 

--Shannon Luders-Manuel

Monday, November 16, 2009

Caucasia and me

The first time I came across a work of literature about a biracial character was Alex Haley's Queen. I found a tattered copy in my mother's small bookcase and I engulfed it with desperate fervor. While not as revered as Roots, due to the Haley's death before its completion and its subsequent completion by a less academic author, it had an impact on me like no other book, as I finally saw myself reflected in the protagonist. One downside to this novel was that it takes place during slavery -- an era in which I of course have no personal experience. It thus put my story into antiquity and outside of the goings on of 21 century life.

The second major work of literature to touch me on a racial level was Lise Funderburg's ethnography, Black, White, Other. I came across the title in a copy of Teaching Tolerance magazine, made my first Amazon.com purchase in 1995, and ate up the essays written by biracial men and women that the editor had interviewed. These were Americans just like me -- some young, some old, some in college, some in the working world, and all connected by the double ethnicity they shared.

After that came a short string of men's biracial memoirs (three over a period of over about ten years), followed by a similarly short string of biracial fiction that just happened to make its way into my grad school studies. The fiction I came across almost by happenstance, and mostly included antebellum novels written by white authors, thrown into syllabi dealing with Victorianism and Romanticism. I saw myself, but I saw myself through their lens, not through my own. I was a trope, I stood for something, but I was not a human being with a character arc or the ability to simply exist on the page. And, while this isn't true of all antebellum literature of the time, I was always male.

Then came Danzy Senna's Caucasia. Just having finished it about ten minutes ago, I have a similar feeling to the one I felt after completing my novel. A sense of finally seeing myself written down, my story finally told. Only, in this instance, I had the luxury of reading about myself through someone who shared my own experiences but was not in fact me. What does this mean to the biracial academic? It means that her personhood, her existence, is no longer silent in mainstream literature. Finally she is not just an antebellum figure to stand in for the injustices of slavery, and no longer is she a figure that is just as racialized as the institution the abolitionists sought to destroy. She is not just the protagonist of a memoir who has no place in fiction. Finally she is a heroine in a novel that tells her story -- one where the Pakistani mistakes her for a fellow countryman, one where her father hides behind his theories on race and wishes his daughter were blacker, one where she must constantly change her form in order to survive, where her skin at once makes her stand out from those around her and blend into any definition of the Other.

This can be seen as a tale of the tragic mulatto, yes. But it is also a tale of resilience, wisdom, and insight. It is not a tragedy, and it is not a blind celebration. Rather it is a fashioning of the mulatta protagonist into the role of all protagonists -- one who sees her world and herself and struggles to come to terms with both. It is a tale of self-discovery, growth, and character development -- present in most fiction, but absent in most biracial fiction of the past. In the literary sense, it is finally granted the agency to be a tale of everyone, everywhere, for we all struggle to find our place in the world, and we all have obstacles we must overcome.

The next step will be to have a work of fiction where the biracial protagonist is able to have a plot that is not about being biracial. This will only happen when the society in which she lives ceases to define its citizens in black and white terms. Until that day, Birdie and Cole Lee of Caucasia, and Shannon Luders-Manuel of Haight-Ashbury, will work to break the black/white binary and will assert themselves outside the box, embracing their differences yet longing to not be defined by them. In time, Birdie, Cole and Shannon will simply exist, and that will be a beautiful thing.

--Shannon Luders-Manuel

Thursday, October 8, 2009

A Biracial Life in Strands

Written June 16, 2009

Black girls with white mothers experience a hair journey lik
e no other parent and child. In fact, the subject of black hair is so distressing to new white mothers that they are often sure they will fail in so vital a role as “hairdresser.” I have become an adviser to my white friends who have adopted African children, and my own hair has undergone distinct and radical changes throughout my life… almost as representing separate identities or developmental phases. These phases started off in a mother/daughter fashion, and then continued throughout my adult years in my own quest to find my identity.

This is how my hair looked fully grown out when I was a kid:

(me with my father in approximately 1984)

My mother would painstakingly comb my hair while I watched Sesame Street and put it into two huge braids that fell down my back. Then I’d go off to see my dad and he would take the braids out to let my hair fall free. It was a constant battle between them, and I would come home with beautiful flowing, but tangled, hair.

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Then in 3rd grade I got lice and it all got cut off. I cried and I felt like I had lost my femininity:

(me and my mom, approximately 1985)

My mom and I kept it in that afro until my freshman year of high school. No more combing the hair in front of the TV. Now it only took a matter of minutes to get the tangles out and create a style.

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At my request, my mom took me to a black stylist and I got my hair chemically straightened with lye:

(my mom, sister, and me in 1990)

The lye process burned my scalp while it was being applied, and after the straightening I had scabs all over my head. But I also, finally, had straight hair.

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After swearing off the expense and danger of lye, I started relaxing my hair at home with kits bought from the grocery store. With this bi-monthly treatment, it stayed a less bone-straight version of the original lye treatment for about 15 years. (To keep it so straight would have required daily hair iron treatments, and straight hair wasn’t in fashion for white girls):

(my friend Brian and me at the Sadie Hawkins dance in 1992 or 1993)

But my hair did have some intermittent changes along the way.

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During the beginning of my senior year, I got my hair braided for my senior picture. My chemically straightened hair was not as refined or polished as I wanted it to look (it was too poufy to wear down), so I figured braids would do the trick. It would also help to define me as a black woman, even though—even with the braids—I still had friends say, “What are you anyway?”

(My friend Jackie [from the Caribbean Islands] and me in 1993)

My mom and I found a black salon through a phone book, and the hairstylist came to our house to cut down on overhead costs. The braids were expensive and made my head itch, so I went back to the grocery store relaxer kits until I got braids again in 1997 for my best friend’s wedding in Iowa. I got them again after going off to college for the first time in 1998. I would find a braider by asking women on the street who had done their hair. It was usually a cousin who braided out of her home, and I would go there and sit on her living room floor for 8 hours while she did mine. Both times the itching got worse and braids were still expensive, so each time I went back to the relaxed style.

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In 2000 I married a white Navy reserveman. For the first time in my life, I decided to document the important occasion with my own curly (but relaxed) hair:

(my sister and me at my wedding in 2000)

The white hair salon did a wonderful job on all my bridesmaids’ hair, but was at a loss of what to do with mine. I wasn’t much help, because I myself still did not know how to wear my hair down, but I figured a salon would. The picture here isn’t bad, but after an hour or so my hair turned into a big puff of disaster.

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After the “disaster” I did research and discovered that treating hair with (proper) lye was actually better for the hair and scalp than treating it with kits from the grocery store. So

I looked in the phone book and drove to the black part of town. Finally my hair was relaxed enough that I could actually wear it down:

(me in 2005)

By the time the above picture was taken, I had gotten divorced, gone back to school, and moved to an area that didn’t have a black part of town. Once again I was a customer of a white hair salon, but one that provided lye treatments for its few black customers.

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Still in school, in 2005, I got my first apartment with no housemate or husband, and I found a Puerto Rican hairstylist in a nearby town through an African friend—My first African or African-American friend since childhood. My friend got cute dreadlocks and I got my hair chopped off and learned how to make it bone straight with an iron (it took 3 hours each time):


(my mom and me in 2005)

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That was the first step towards growing it out curly, which the hairstylist showed me how to do: combing only while the conditioner is in the hair, using leave-in conditioner, and curl activator or pomade, and blow drying with a diffuser. My hair had been slowly thinning over the years because of the persistent relaxing process, so when it was long enough (a few months later) every bit that had been relaxed got cut off. This picture is from about 2 years after that:


(me in 2007)

It was the first time that friends and acquaintances “ooed and awed” at my hair. And it turns out the great hairstyle was there all along. I just hadn’t had known how to unleash it.

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My last really short haircut was right before coming to grad school, and now I am slowly growing it out again to be how it was back when I was 9, before the lice. Here is its progress so far:


(me in 2009)

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Of course, I wear like this though:


(my sister and me in 2009)

In my new, white college town, I have actually been turned away from the owner of a hair salon, because my hair would be “frizzy for weeks” due to the rain. However, I’ve found a salon that will cut my hair even though they don’t know how to style it, which is okay because now I actually do. I’ve also, through a white friend, discovered a Puerto Rican hairstylist two hours away in Boston. After the life changing experience with the first Puerto Rican stylist, it will be worth the drive.

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My hair has undergone many changes over the past 32 years. I’ve wrestled with how to make it coincide with the fashion of each decade, and I’ve struggled to tame the curls that kept me from looking like my peers…. and my mother. As the only one with curly hair in my extended family, and having a distant and now deceased black father, I was truly at a loss with how to maintain my biracial existence and embrace my biracial hair. Even now, many black women are chemically treating their hair to make it look similar to the white mainstream. While I can’t judge my black peers for their hair decisions, I am pleased to find that so many black women are letting their hair be natural again. Maybe it has to do with East coast graduate school fashion, but I find I’m not the only one sporting my natural curl. In fact, I now have three black friends who do just that. It’s nice to finally see a reflection of myself in someone else’s hairstyle, and I am so thankful and grateful for my mom, and for those hours she spent with me watching Sesame Street and tackling my hair with a wide toothed comb.


(my friends Denia, Eboni, Rachel, and me in 2008).

--Shannon Luders-Manuel